Dennis Hoelscher is an independent Motion & 3D Artist based in Cologne (GER), working at the intersection of animation, culture and immersive media.
His practice spans branding, concert visuals, video installations and audio-reactive systems.
With a background in typography and procedural 3D design, he creates dynamic visual environments that translate sound, space and narrative into compelling motion experiences.
Conceived as an otherworldly structure emerging from the Californian desert, Head Trip's monumental, reflective stage blurred the boundaries between architecture, light and moving image. Its futuristic oval form became the centerpiece of an immersive environment, extending beyond the stage into a forest of light and lasers. A unified visual system transformed the festival grounds into a temporary, almost extraterrestrial landscape.
(Role: Screen Visuals Production)
Production Company: Highscream Creative Direction: Pol Fernandez
Within the immersive architecture of UNVRS, Anyma's ÆDEN residency explored the intersection of electronic music, technology and cinematic imagery.
(Role: Screen Visuals Production)
Creative Direction: Michael Titze | Roberto Rosolin
A collision of industrial sound and brutalist architecture. Nine Inch Noize transformed Coachella's Sahara Stage into a stark, dystopian landscape, defined by a monumental concrete-like structure, distorted imagery and violent flashes of light. Raw electronic textures, an unsettling choreography and visual abstraction created an atmosphere of controlled chaos, blurring the boundaries between a live performance and an industrial ritual.
(Role: Screen Visuals Production)
Creative Direction: mtla.studio | Todd Tourso | Mel Roy Content Production Company: GOODCOMPANY Content Creative Direction: Maxime Quoilin Content EP: Matt Lowe
John Summit closed Ultra Music Festival's Main Stage in Miami with a large-scale audiovisual production.
(Role: Screen Visuals Production)
Production Company: Cour Design Show Director: Alex Alvga Creative Direction: Elsa Hanneke Screens Producer: Dawson Waters
Genesis House and Ashley Park invited guests on a colorful journey of light and sound, where a curated series of Korean folktales were reimagined through the Korean Obangsaek color palette. Each space transformed narrative moments into an immersive encounter shaped by cultural heritage.
The Immersive Video Installation over ceiling, wall and floor featuring Visuals by Nate Mohler, Randy Cano, Nate Schmitt, Peter Britt Favinger, Drew Horen and me.
The installation ran through December 14, 2025 at Genesis House New York.
Production Company: MATTE Projects Creative Direction: Derek Fearon, Don Kim, Caleb Ekeroth Production: Michael Czeizinger, Ben Lomeli
Set against the monumental neoclassical architecture of Antwerp's Royal Museum of Fine Arts, Amelie Lens transformed the historic museum square into an open-air audiovisual experience. As daylight faded, the building's facade became a canvas for moving imagery, creating a dialogue between classical architecture and contemporary electronic music. Celebrating the release of her debut album AURA, the performance brought together 14,000 people.
(Role: Screen Visuals Production)
Production Company: Highscream Creative Direction: Pol Fernandez
The Forest Within is an intersection of nature and technology, forging a transformative experience: a reimagining of the Korean forest through immersive, physical-meets-digital design, in partnership with floral artist Jeff Leatham. Honoring the natural environment's wisdom and beauty, innovation does not replace the natural world, it deepens our guests' connection to it.
(Role: Screen Visuals Production)
Production Company: MATTE Projects
Developed by ST. ROBO, Trettmann's 2023 live production followed a strictly monochromatic visual language. A transparent LED structure formed the center of the stage, combining pre-recorded performance footage, typography and abstract screen content with precisely arranged lighting. The layering of physical and digital elements created depth within an otherwise minimal stage environment, allowing the imagery to become an integral part of the performance.
(Role: Screen Visuals Production)
Production Company, Creative Direction: ST.ROBO Head of Screen Content: Philip Hillers Producer: Markus Eibl
Part of an ongoing creative collaboration with Antonin Lemiere aka Airmow, Broken Memories brought together music, object design and moving image. Originally conceived digitally, the custom-designed rings were physically produced and became central elements of the album's photographic artwork. Alongside the cover, a motion concept and a series of animated canvases extended the visual identity into the album's digital release.
Motion Concept, Cover Artworks & Jewelry/ Ring Designs
Photography: Ines Sakina Segond-Chemaï | SAKI
Part of a large-scale campaign bringing together Pepsi, Apple Music and Bad Bunny, the film combined music, performance and a highly stylized visual direction.
(Role: Title Animation Design)
Directors: Dave Meyers | Mia Barnes Creative Directors: Max Hoch | Brad Warsh Production Company: Translation
Created for the New Frontiers exhibition at Rockefeller Center, a historical film explored the evolution of one of New York's most recognizable architectural landmarks. Developed in collaboration with Maxime Quoilin, the work translated archival material and the building's history into a contemporary moving-image narrative, connecting its architectural heritage with a new visual interpretation.
Production Company: MATTE Projects
Marking the end of Ibiza's summer season, UNVRS transformed its monumental club architecture into an immersive audiovisual landscape once more. The visual production dissolved the boundaries between physical space and digital environments.
(Role: Screen Visuals Production)
Creative Director: Pol Fernandez Production Company: Highscream
An exploration of organic beauty through procedural design. Created for the title track of Jules Ahoi's album Magnolia, the visuals reinterpret the delicate forms of magnolia flowers through a technical, generative process. Natural structures are reconstructed as digital objects, creating a tension between the romantic associations of flowers and the calculated precision of their creation. A deliberately de-romanticized approach to depicting nature.
Music Video Production for Jules Ahoi
My first solo exhibition „Die Ästhetik des Zufalls“ questions approaches to the creative process in which chance and random parameters play a central role. To what extent can they inspire new possibilities and reveal the beauty of imperfection and the unpredictable?
A visual interpretation of opera through animation. Developed for Deutsche Oper am Rhein's 2022/23 season campaign, individual productions were translated into a cohesive language of moving imagery. Each opera's narrative and atmosphere informed a distinct motion concept, bringing together classical performance and contemporary visual communication within the theatre's advertising campaign.
Production Company: Markwald / Neusitzer identity
A homecoming on a monumental scale. Returning to Chicago as a Lollapalooza headliner, John Summit brought an immersive audiovisual spectacle to the festival stage. For his track LIGHTS GO OUT, a dedicated sequence of screen visuals became part of the larger stage production including architectural elements and performers in the scene.
(Role: Screen Visuals Production)
Production Company: Cour Design Show Director: Alex Alvga Creative Direction: Dawson Waters Screens Producer: Dan Edwards